Alex Canovas, General & Artistic Director
Rachel DeVore Fogarty, Associate Artistic Director
Emily Crowe Sobotko, Associate Conductor
Nathan Taylor, Organist
Program
A Bell Awakened, Joan Szymko
Sleep Song, Margaret Bonds
Hark! The Herald Angels Sing Please sing along
The Birds’ Lullaby, Katerina Gimon
Soloists: Melanie Kahl & Kate Winmill
La flor de la miel, Alberto Grau
Soloists: Kate Winmill & Megan Buiocchi
Two Lullabies, Jocelyn Hagen
I. My Bed is a Boat
Soloists: Lindsay Brillson, Soraya Dangor, Melanie Kahl, Heather Keyser, & Francesca Serraino
II. All the pretty little horses
The Word Was God, Rosephanye Powell
Emily Crowe Sobotko, conductor
-Intermission-
Ave Maria, Gustav Holst
Angels We Have Heard on High Please sing along
Zion Hears the Watchmen Singing, J.S. Bach
Emily Crowe Sobotko, conductor
Only in Sleep, Ēriks Ešenvalds
Soloists: Chloe Golonka, Sarah Caroline Billings, & Megan Combs
Percussion: Rachel DeVore Fogarty
O Come, All Ye Faithful Please sing along
Now let every tongue adore Thee, J.S. Bach
Please silence your cell phones. Masks are recommended but optional for audience members. YNYC’s full COVID-19 safety policy can be found at ynyc.org/covid19-information.
Director's Note
The day's blow
rang out, metallic—or it was I, a bell awakened,
and what I heard was my whole self
saying and singing what it knew: I can
— Denise Levertov
There are moments in our lives that we can transport ourselves back to with ease. For example, I can close my eyes and travel back to the first time I stood in front of a choir as a conductor — I was in high school, and my choir director had to leave rehearsal suddenly and had put me in charge of rehearsing Bruckner’s “Os justi”, a concert choral classic. I remember the feeling of overwhelming responsibility as I gave a preparatory gesture, and the subsequent joy I felt when I realized that I was leading a room full of my peers in song. In some ways, this moment was the first time I’d ever felt musically “awake.” I had found my calling, and, while it would be a few years before I truly embraced conducting as my life’s work, this was a pivotal awakening for me.
In 1598, the hymnodist Philipp Nicolai wrote the chorale “Wachet auf, ruft uns die Stimme”, or “Awake, the voice is calling us”. The text for the chorale is taken from one of Jesus’ parables — the parable of the ten virgins. The parable itself has not aged well, to say the least, but the underlying message is a poignant one: be prepared for the Day of Judgement. Or, in non-liturgical words and for the purposes of tonight’s concert, be ready for life’s big moments.
While Nicolai’s hymn was well known at the time, it was J.S. Bach’s reawakening of it in the form of a full cantata that has made the music some of the most recognizable from the late Baroque, particularly the fourth movement, “Zion hört die Wächter singen”, or “Zion hears the watchmen singing”, which you’ll hear on the second half of tonight’s program.
“Wachet auf” is the namesake of our concert, but the majority of the repertoire you’ll hear tonight is secular. The Denise Levertov quote that I used to begin these notes is from our opener, “A Bell Awakened” by Joan Szymko, which is a rousing, rhythmically active call to self-discovery and finding confidence within oneself. Margaret Bonds’ “Sleep Song” is a lush, comforting lullaby sung to an anxious loved one. “Two Lullabies” by Jocelyn Hagen also comforts their intended listener, though the first movement leans far more into the “Awake”.
The intended lesson from the parable that our program is named after is to be ready for life’s big moments, but rarely are we ever fully prepared. I think a much more realistic and, ultimately, fruitful interpretation is to be present when the big moments come.
As we move through this holiday season, I wish you health, happiness, and the ability to exist in the present moment — you never know what will come your way, and you’re as ready as you’ll ever be. In short, you can.
Happy Holidays,
Alex
Text & Translations
A Bell Awakened
Music by Joan Szymko (b. 1957)
Text by Denise Levertov (1923-1997)
“Variations on a Theme by Rilke”
A certain day became a presence to me;
there it was, confronting me--a sky, air, light:
a being. And before it started to descend
from the height of noon, it leaned over
and struck my shoulder as if with
the flat of a sword, granting me
honor and a task, The day's blow
rang out, metallic--or it was I, a bell awakened,
and what I heard was my whole self
saying and singing what it knew: I can.
Sleep Song
Music by Margaret Bonds (1913-1972)
Text by Joyce Kilmer (1886-1918)
The Lady World
Is sleeping on her white and cloudy bed.
Like petals furled
Her eyelids close. Beside her dream-filled head
Her lover stands in silver cloak and shoon,
The faithful Moon. So Love, my Love,
Sleep on, my Love, my Life, be not afraid.
The Moon above,
Shall guard the World, and I my little maid.
Your life, your love, your dreams are mine to keep,
So sleep, so sleep.
Hark! The Herald Angels Sing
Music by Felix Mendelssohn (1809–1847), adapted by William H. Cummings (1831–1915)
Hark! The herald angels sing,
“Glory to the newborn King!
Peace on earth and mercy mild,
God and sinners reconciled.”
Joyful, all ye nations rise,
Join the triumph of the skies,
With th’angelic host proclaim:
“Christ is born in Bethlehem.”
Hark! The herald angels sing,
“Glory to the newborn King!”
Christ by highest heav'n adored,
Christ the everlasting Lord!
Late in time behold Him come,
Offspring of a Virgin's womb.
Veiled in flesh the Godhead see,
Hail th’incarnate Deity,
Pleased as man with man to dwell,
Jesus, our Emmanuel.
Hark! The herald angels sing,
“Glory to the newborn King!”
Hail the heav'n-born Prince of Peace!
Hail the Son of Righteousness!
Light and life to all He brings,
Ris'n with healing in His wings.
Mild He lays His glory by,
Born that man no more may die,
Born to raise the sons of earth,
Born to give them second birth.
Hark! The herald angels sing,
“Glory to the newborn King!”
The Birds’ Lullaby
Music by Katerina Gimon (b. 1993)
Text by E. Pauline Johnson (Tekahionwake) (1861-1913)
I
Sing to us, cedars; the twilight is creeping
With shadowy garments, the wilderness through;
All day we have carolled, and now would be sleeping,
So echo the anthems we warbled to you;
While we swing, swing,
And your branches sing,
And we drowse to your dreamy whispering.
II
Sing to us, cedars; the night-wind is sighing,
Is wooing, is pleading, to hear you reply;
And here in your arms we are restfully lying,
And longing to dream to your soft lullaby;
While we swing, swing,
And your branches sing.
And we drowse to your dreamy whispering.
III
Sing to us, cedars; your voice is so lowly,
Your breathing so fragrant, your branches so strong;
Our little nest-cradles are swaying so slowly,
While zephyrs are breathing their slumberous song.
And we swing, swing,
While your branches sing,
And we drowse to your dreamy whispering.
La flor de la miel
The flower of the honey
Music by Alberto Grau (b. 1937)
Text by Manuel Felipe Rugeles (1903-1959)
Duerme niño, duérmete niño
Duerme que habrás de soñar con cuentos
de rosa y albas de cristal.
Duerme niño, que vas a tener en
un caramelo la flor de la miel,
Duerme niño, que mañana el sol
ha de encender moras y hojitas de olor.
Duerme niño.
Sleep child, go to sleep child,
Sleep to dream of tales
of roses and crystal dawns.
Sleep child, for you will have
candy the flower of honey;
Sleep, for tomorrow the sun
will light up berries and sweet-scented leaves
Sleep child
Two Lullabies
Music by Jocelyn Hagen (b. 1980)
I. My Bed is a Boat
Text by Robert Louis Stevenson (1850-1894)
My bed is like a little boat;
Nurse helps me in when I embark;
She girds me in my sailor's coat
And starts me in the dark.
At night I go on board and say
Good-night to all my friends on shore;
I shut my eyes and sail away
And see and hear no more.
And sometimes things to bed I take,
As prudent sailors have to do;
Perhaps a slice of wedding-cake,
Perhaps a toy or two.
All night across the dark we steer;
But when the day returns at last,
Safe in my room beside the pier,
I find my vessel fast.
II. All the pretty little horses
Traditional text
Hush-a-bye, don't you cry
Go to sleepy little baby
When you wake, you’ll have cake
And all the pretty little horses
Black and bay, dapple and grey,
Coach and six-a-little horses
Hush-a-bye, don't you cry
Go to sleepy little baby
Way down yonder, down in the meadow
There's a poor wee little lamby
Bees and butterflies pickin’ at its eyes
The poor wee thing cried for her mammy
Hush-a-bye, don't you cry
Go to sleepy little baby
When you wake, you’ll have cake
And all the pretty little horses
The Word Was God
Music by Rosephanye Powell (b. 1962)
Text from the book of John 1:1-3
In the beginning was the Word, and the Word was with God, and the Word was God.
The same was in the beginning with God.
All things were made by him; and without him was not any thing made that was made.
Ave Maria
Music by Gustav Holst (1874-1934)
Ave Maria, gratia plena,
Dominus tecum;
benedicta tu in mulieribus,
et benedictus fructus ventris tui, Jesus.
Sancta Maria, ora pro nobis.
Amen.
Hail Mary, full of grace,
the Lord is with thee;
blessed art thou amongst women,
and blessed is the Fruit of thy womb, Jesus.
Holy Mary, pray for us.
Amen.
Angels We Have Heard on High
French carol, 18th cent.
Angels we have heard on high
sweetly singing o’er the plains,
and the mountains in reply
echo back their joyous strains.
Gloria In Excelsis Deo!
Gloria In Excelsis Deo!
Shepherds why this jubilee?
Why your joyous strains prolong?
Say, what may the tidings be
which inspire your heavenly song?
Gloria In Excelsis Deo!
Gloria In Excelsis Deo!
Come to Bethlehem and see
Him Whose birth the angels sing;
come, adore on bended knee
Christ the Lord, the newborn King.
Gloria In Excelsis Deo!
Gloria In Excelsis Deo!
Zion Hears the Watchmen Singing
J.S. Bach (1685-1750)
Original text and melody by Philipp Nicolai
English text by Curtis Hanson
Zion hears the watchmen singing,
and in her heart for joy is springing.
She watches and makes haste to rise.
Her friend comes from heav’n all glorious,
in mercy strong, in truth victorious.
Her starlight brightens in the skies.
Now come, O worthy crown.
Lord Jesus, God’s own Son. Hosanna!
We follow, all, to joy’s glad hall,
and share the Eucharistic call.
Only in Sleep
Music by Ēriks Ešenvalds (b. 1977)
Text by Sara Teasdale (1884-1933)
Only in sleep I see their faces
Children I played with when I was a child
Louise comes back with her brown hair braided
Annie with ringlets warm and wild
Only in sleep Time is forgotten—
What may have come to them, who can know?
Yet we played last night as long ago
And the doll-house stood at the turn of the stair
Only in sleep I see their faces
Children I played with when I was a child
Louise comes back with her brown hair braided
Annie with ringlets warm and wild
Only in sleep Time is forgotten—
What may have come to them, who can know?
Yet we played last night as long ago
And the doll-house stood at the turn of the stair
I met their eyes and found them mild—
Do they, too, dream of me, I wonder
And for them am I too a child?
O Come, All Ye Faithful
Oh, come, all ye faithful,
Joyful and triumphant!
Oh, come ye, oh come ye to Bethlehem.
Come and behold him,
Born the King of angels;
[Chorus]
Oh, come, let us adore him;
Oh, come, let us adore him;
Oh, come, let us adore him,
Christ, the Lord.
God of God,
Light of Light,
lo, He abhors not the virgin's womb;
very God, begotten not created
[Chorus]
Sing, choirs of angels,
Sing in exultation;
Sing, all ye citizens of heav’n above!
Glory to God!
Glory in the highest;
[Chorus]
Yea, Lord, we greet thee,
Born this happy morning;
Jesus, to thee be all glory giv’n.
Son of the Father,
Now in flesh appearing.
[Chorus]
Now let every tongue adore Thee
Melody by Philipp Nicolai (1556-1608)
Harmonization by Johann Sebastian Bach (1685-1750)
English text by Paul England
Now let ev'ry tongue adore Thee!
Let men with angels sing before Thee!
Let harps and cymbals now unite!
All Thy gates with pearl are glorious,
When we partake through faith victorious,
With angels round Thy throne of light.
No mortal eye hath seen,
No mortal ear hath heard
Such wondrous things;
Therefore with joy our song shall soar
In praise to God forevermore.
Amen.
About YNYC
The Young New Yorkers’ Chorus (YNYC) fosters a vibrant choral community through singing, performance, and collaboration with emerging composers. We work to ensure that New Yorkers have a haven that brings music to those who need it, and amplifies the voices of those who wish to make it.
Founded in 2001, The Young New Yorkers’ Chorus is a community of stellar musicians dedicated to making excellent choral music fueled by the strength of our unique community, inspired by our home city, and relevant to our demographic.
Our standard for excellence is high, allowing us to perform a wide variety of repertoire, with an emphasis on supporting other young choral professionals around the country. A performance of Jonathan Dove’s The Passing of the Year was described by the composer himself as sung with “…grace and clarity, but with a full warmth — the feeling I wanted, of the great mass of humanity, with something extra: the glorious bloom of youth.” YNYC was also recently named the winner of The American Prize in Choral Performance - Community Division, 2023.
Our programming is driven by themes relevant to others in their 20s and 30s, as well as the immense diversity of our home city. Our performances strive to go beyond the typical concert format, and we seek to bring our sound to new venues and locales.
Committed to the growth of new repertoire, YNYC debuts three original works annually through its Competition for Young Composers. YNYC also provides a close-knit fellowship for talented singers in their twenties and early thirties.
Our people are our greatest assets, and we invest in our community via social events, sub-groups of music (and non-music) professionals looking to network, and continuous engagement with our alumni. We also offer a wide array of volunteer leadership opportunities, allowing our members to gain important, transferable skills. Our operations reflect the ingenuity and entrepreneurialism of our demographic, with a robust media presence, high-quality recordings, and trend-setting engagement with our local, national, and international supporters.
Members
Soprano I
Sarah Caroline Billings*
Megan Buiocchi
Irene Droney
Alexis Freitag
Ellen Heuer
Jennifer Lambert
Allysun Marshall
JJ Mattson
Anna Mazarakis
Francesca Serraino
Anna Shelkin
Izzy Taber
Kate Winmill
Soprano II
Kitty Baker
Laura Boyman
Lindsay Brillson
Kelsey Brush
Megan Combs
Ashley Huntington
Melanie Kahl
Heather Keyser
Shikha Nayar
Carmen Reinicke
Kathleen Ritter
Kathryn Squitieri
Adja Toure*
Cara Wiener
Kylia Williams
Alto I
Ashley Barad
Rebecca Delconte
Chloe Golonka
Alyssa Keyne
Catherine Moore
Sophia Paredes
Elena Price
Emily Saperstein
Izzy Vargas
Sonya Vera
Hannah Welles
Alto II
Ryann Bieber
Anike Cherry
Emily Crowe Sobotko* **
Soraya Dangor
Deanna Goudelias*
Sophie Rogers
Sarah Rosenblatt
Megha Sawhney
*Section leader
**Associate Conductor
YNYC Leadership & Volunteers
Board of Directors
President: Cory Reeves
Treasurer: Larry Dworkin
Secretary: Lucy Mayer
Members-at-Large: Richard Berg, Abbey Hendrix, Elisa Nikoloulias, Jessica Shaw, Jon Wiener
Ensemble Leadership
Treble Ensemble Manager: Sarah Rosenblatt
Mixed Ensemble Manager: Casey Rice
Leadership Manager: Ryann Bieber
Social Media: Stephanie Jones
Artistic Advisory Board
Brady Allred, Artistic Director & Conductor, Salt Lake Choral Artists
Dominick DiOrio, Assistant Professor of Music (Choral Conducting), Indiana University; Composer
Craig Hella Johnson, Artistic Director, Conspirare & Company of Voices
Jerry McCoy, Artistic Director, Schola Cantorum of Texas; Director of Choral Studies, University of North Texas College of Music
Brad Wells, Artistic Director, Roomful of Teeth
Dale Trumbore, Composer
Acknowledgements
David Merrill, Recording Engineer
Christopher Howatt, Church of St. Mary the Virgin
Mike Gaertner, Principal Pianist, Mixed Ensemble
Justin Duckworth, Associate Conductor, Mixed Ensemble
Barbara Moazzam, Andrew Henderson, Jon Rodriguez, and Guillermo Catalan, Madison Avenue Presbyterian Church
Sara Huser, concert art
Kate Winmill, Treble Ensemble concert program
Anna Shelkin, Treble Ensemble concert management
2023-2024 Season
YNYC Mixed Ensemble presents: Sleepers, Awake!
Saturday December 16, 2023 7:30pm The Church of Saint Mary the Virgin, 145 W 46th St
The Mixed Ensemble continues our journey through rest and conscious being, with pieces by James Lavino, Reena Esmail, Patrick Vu, Chen Yi, Valentin Silvestrov, Harold Darke, and more. Plus, our beloved tradition of carol sing-alongs continues! Get your tickets at ynyc.org/fall-2023.
American Choral Directors Association (ACDA) Eastern Region Conference
February 2023 Providence, RI (not open to the public)
The Mixed Ensemble travels up the East Coast to Providence, RI for the ACDA Eastern Region Conference, where they’ll perform works by Matthew Lyon Hazzard, Jasmine Barnes, Norman Dinerstein, and James Mulholland.
Larger Than Life - Treble Ensemble
Saturday May 11 2024 7:30pm Madison Avenue Presbyterian Church, 921 Madison Ave
Love’s Philosophy - Mixed Ensemble
Saturday May 18, 2024 7:30pm Madison Avenue Presbyterian Church, 921 Madison Ave
Contributors
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The Young New Yorkers’ Chorus could not exist without the dedication of our membership, audience, and friends. We rely on the continued generosity of our supporters, including:
Up to $99 (continued)
Tala Hershey
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