Alex Canovas, General & Artistic Director
Mike Gaertner, Principal Pianist, Mixed Ensemble
Justin Duckworth, Associate Conductor
Nathan Taylor, Organist

A Winter Breviary — I. We Look for You (Evensong – Raag Hamsadhwani), Reena Esmail

In the Bleak Midwinter, Harold Darke

Nathan Taylor, organ

Angels We Have Heard on High Please sing along

A Lullaby, Gerald Finzi

Nativity, James Lavino

Hark! the Herald Angels Sing Please sing along

A Winter Breviary — II. The Year’s Midnight (Matins – Raag Malkauns), Reena Esmail

There Will Be Rest, Frank Ticheli

Justin Duckworth, conductor

–Intermission–

Two Christmas Lullabies, Valentin Silvestrov

I. Sleep, Jesus…

Lily Liu & Sara Huser, sopranos

II. Silent Night…

Olivia Constantino & Sofie Christensen, sopranos

Joy to the World! Please sing along

Balulalow, Francis Pott

Heather Keyser, soprano

Wake, Awake, for Night is Flying, F. Melius Christiansen

Justin Duckworth, conductor

O Come, All Ye Faithful Please sing along

Silent Night, Patrick Vu

A Winter Breviary — III. The Unexpected Early Hour (Lauds – Raag Ahir Bhairav), Reena Esmail

Please silence your cell phones. Masks are recommended but optional for audience members. YNYC’s full COVID-19 safety policy can be found at ynyc.org/covid19-information.

Director's Note

This upcoming Thursday marks the winter solstice, the day when our half of the Earth faces away from the Sun for the greatest amount of time out of any point in the calendar year. It is the shortest day of the year, the longest night, and is sometimes referred to as midwinter. While all four equinoxes and solstices are important, the winter solstice is especially profound — throughout history it has inspired rituals, dictated harvesting patterns, and its relationship with Christianity, while somewhat contested, is rich and compelling.

For us lowly humble modern humans, it means that the lights go on earlier, we need that much more coffee, we spend a little more time with our SAD lamps. As I write these notes, it’s close to 5:00pm, and the sun has more than set over the horizon. It’s an objectively dark time.

Time is an interesting theme — it’s one that we tackled in my very first season with YNYC five years ago. It’s present in the literal creation of music in the form of rhythm, and certainly something we’re acutely aware of as the days get shorter, darker, and colder. Time, specifically the practice of measuring it, has a rich and complicated history, one that’s particularly poignant to highlight tonight as we perform a concert program called “Sleepers, Awake!”

I could spend hours and hours waxing poetic on the history of time, but for tonight I’d like to focus on the Christian tradition of canonical hours, or the fixed times of a day, in regular intervals, in which those who practice Christianity are to pray. In this very church you’re either physically sitting in or viewing via live stream, one of these hours was just observed at 5:00pm in the form of Evening Prayer, or Vespers.

Christians, though, are not the only group of faithful that mark the day with fixed prayer times. Judaism, Islam, Sikhism, and Hinduism are just a few of the other religious traditions that have their own divisions of time based on fixed hours in which to pray. The implications of this practice are immense, particularly from Christianity in our modern Western world.

A breviary is a book used for praying at these canonical hours. It’s not a term we encounter in our day-to-day life that often, as “prayer book” serves as a better catch-all. I do, though, love the specificity of a book devoted to just devotion itself, whether that be in one faith tradition or another.

You certainly did not come to this concert to be lectured to on the topic of time — I’d be checking my watch right now if I were you. All of this, though, is important context for tonight’s program, which is built around Reena Esmail’s piece, “A Winter Breviary”. In Esmail’s own words:

“This set of three carols…traces a journey through the solstice, the longest night of the year. The texts follow the canonical hours of Evensong, Matins and Lauds, and the music maps onto Hindustani raags for those same hours (Raag Hamsadhwani, Malkauns, and Ahir Bhairav.) This set is a meeting of cultures, and of the many ways we honor the darkness, and celebrate the return of light.”

“We Look For You (Evensong – Raag Hamsadhwani)” begins our journey into the night, which is followed by a variety of winter favorites — Harold Darke’s classic “In The Bleak Midwinter”, James Lavino’s gorgeous “Nativity”, among others. Esmail’s “The Year’s Midnight (Matins – Raag Malkauns)” comes close to the middle of the program, which is soon followed by the Ukrainian composer Valentin Silvestrov’s “Two Christmas Lullabies”, F. Melius Christiansen’s rousing “Wake, Awake, for Night is Flying”, and Patrick Vu’s deeply intimate arrangement of “Silent Night”. Our figurative night ends with the final movement of Esmail’s piece, appropriately named “The Unexpected Early Hour (Lauds – Raag Ahir Bhairav)”.

The Ensemble you hear singing for you tonight is simply remarkable. It’s full of singers from many walks of life, with varied backgrounds and identities, who come together each week to bring music to life. It’s a deeply awakening experience — I’m sure you’ll feel the same way.

In my notes for our Treble Ensemble concert last weekend, which shared a title with tonight’s performance, I wrote “The intended lesson from the parable that our program is named after is to be ready for life’s big moments, but rarely are we ever fully prepared. I think a much more realistic and, ultimately, fruitful interpretation is to be present when the big moments come.”

Our concert tonight complements last week’s program by emphasizing the present moment — what does night feel like as it passes? What are the lessons we can learn from darkness? How do we keep time in the absence of light?

Those are big questions that take time to answer. For now, I’ll be marking Thursday’s solstice by spending time with my fiancé, cat, and family, as firmly in the moment as I can, knowing time will move forward, and that I exist in the company of the rest of our side of the world on the darkest night.

Happy holidays,
Alex

Text & Translations

A Winter Breviary — I. We Look for You (Evensong – Raag Hamsadhwani)

Music by Reena Esmail
Text by Rebecca Gayle Howell

Eventide, our single star,
One looking star, this night.
Next to me, the sparrow hen,
Two pilgrims small and bold.
Dusking hour, that lonely hour
The sky dims blue to grey.
Our forest road will fade,
We look for You.
Pines glisten wet with sleet,
She looks with me,
We look for You.
Fog falls in
So close, my breath,
She looks with me,
We look for You:
Great Silent One Unseen,
We look for You.
Eventide, our single star,
One looking star, this night.
We look for You,
Forgiving light, our guide.

In the Bleak Midwinter

Music by Harold Drake
Text by Christina Rosetti

In the bleak midwinter,
Frosty wind made moan.
Earth stood hard as iron,
Water like a stone.
Snow had fallen snow on snow,
Snow on snow.
In the bleak midwinter long ago.

Our God, Heav’n cannot hold Him,
Nor earth sustain.
Heav’n and earth shall flee away,
When He comes to reign.
In the bleak midwinter,
A stable place sufficed
The Lord God Almighty Jesus Christ.

Enough for Him, whom cherubim
Worship night and day,
A breast full of milk,
And a mangerful of hay,
Enough for Him, whom angels
Fall down before,
The ox and ass and camel, which adore.

What can I give Him,
Poor as I am?
If I were a shepherd,
I would bring a lamb.
If I were a wise man,
I would do my part,
Yet what can I give Him, give my heart.

Angels We Have Heard on High

Gloria, traditional French carol
Translation by James Chadwick

Angels we have heard on high
Sweetly singing o’er the plains,
And the mountains in reply
Echoing their joyous strains.
Gloria, in excelsis Deo!

Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heav’nly song?
Gloria, in excelsis Deo!

Come to Bethlehem and see
Christ Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King.
Gloria, in excelsis Deo!

A Lullaby

Greek folksong
Music by Gerald Finzi
Translation by M. D. Calvocoressi

Rock my baby, rock my baby.
Lightning is flashing in the East.
(Rock my baby, nanny,
Rock him to sleep!)
Westwards, hark, there’s thunder loudly rolling.
Rock my baby, nanny, lest the storm awake him,
Rock him gently, may his dreams be happy!
Sleep, my darling son, while mother o’er thee watches.

Rock my baby, rock my baby.
Take him and lull him, kindly sleep!
(Sleep, my darling, baby safe in thy cot!)
Bring him sweet dreams and kindly sleep!
Three watchers have I summoned.
In the sky the sun,
The eagle on the mountain,
Over the sea the keen cool north wind blowing,
Over thee will watch, avert from thee all danger.

Nativity

Music by James Lavino
Text by John Donne

Immensity cloistered in thy dear womb,
Now leaves His well-belov’d imprisonment,
There He hath made Himself to His intent
Weak enough, now into the world to come;
But O, for thee, for Him, hath the inn no room?
Yet lay Him in this stall, and from the Orient,
Stars and wise men will travel to prevent
The effect of Herod’s jealous general doom.
Seest thou, my soul, with thy faith’s eyes, how He
Which fills all place, yet none holds Him, doth lie?
Was not His pity towards thee wondrous high,
That would have need to be pitied by thee?
Kiss Him, and with Him into Egypt go,
With His kind mother, who partakes thy woe.

Hark! the Herald Angels Sing

Music by Felix Mendelssohn
Arranged by David Willcocks
Text by C. Wesley, T. Whitefield, M. Madan, and others

Hark! the herald angels sing
Glory to the newborn King;
Peace on earth and mercy mild,
God and sinners reconciled;
Joyful all ye nations rise,
Join the triumph of the skies,
With th’angelic host proclaim,
Christ is born in Bethlehem.
Hark! the herald angels sing
Glory to the newborn King.

Christ, by highest heav’n adored,
Christ, the everlasting Lord,
Late in time behold him come
Offspring of a virgin’s womb;
Veiled in flesh the Godhead see,
Hail th’incarnate Deity!
Pleased as man with man to dwell,
Jesus, our Emmanuel.
Hark! the herald angels sing
Glory to the newborn King.

Hail the heav’n-born Prince of Peace!
Hail the Sun of Righteousness!
Light and life to all he brings,
Risen with healing in his wings;
Mild he lays his glory by,
Born that man no more may die,
Born to raise the sons of earth,
Born to give them second birth,
Hark! the herald angels sing
Glory to the newborn King.

A Winter Breviary — II. The Year’s Midnight (Matins – Raag Malkauns)

Music by Reena Esmail
Text by Rebecca Gayle Howell

The longest night is come,
A matins for beasts, they low, they kneel,
O, their sleep, their psalm sung.
A matins for trees, they slow, they stem,
O, their reach, their psalm won.
Hush, hush,
Can I hear them?
Can I hear what is not said?
Hush, hush,
Can I hear You?
Ev’ry need met.
To light, the path is dark,
Our star has gone.
Beneath my feet a year of leaves fallen, frozen, done.
I walk these woods,
The longest night is come,
Above me, the sparrow,
She brings our new seed home.
Brown true sparrow,
Take tomorrow home.

There Will Be Rest

Music by Frank Ticheli
Text by Sara Teasdale

There will be rest, and sure stars shining
Over the roof-tops crowned with snow,
A reign of rest, serene forgetting,
The music of stillness holy and low.

I will make this world of my devising
Out of a dream in my lonely mind.
I shall find the crystal of peace, – above me
Stars I shall find.

Two Christmas Lullabies

Music by Valentin Silvestrov
Traditional text

I. Sleep, Jesus…

Спи, Ісусе, спи, засни, спатоньки ходи.
Тебе буду колихати, пісеньками присипляти
Люляй, люляй, Серденько, спи, Ісусе, спи, Ісусе, засни.

Спи, Ісусе, спи, засни, оченьки зажмури.
Не питай, що колись будехрест готовлять Тобі люди
Люляй, люляй, Серденько, спи, Ісусе, спи, Ісусе, засни.

Sleep, Jesus, go to sleep, have a snooze.
I will rock you and lull you to sleep with songs. Lyu-lyay, lyu-lyay.
Sleep, my Sweetheart, sleep, Jesus, sleep well.

Sleep, Jesus, go to sleep. Close your little eyes.
Don’t ask what will be—people prepare a cross for you. Lyu-lyay, lyu-lyay.
Sleep, my Sweetheart, sleep, Jesus, sleep well.

II. Silent Night…

Тиха ніч, святая ніч, ясність ллється від зірниць.
Дитинонька пресвята така ясна, мов зоря, спочиває втихім сні.

Silent Night, Holy Night, clarity is flowing down from the stars.
A holy child, as bright as a sunrise, is resting in silent sleep.

Joy to the World!

Antioch, Handel
Music by Lowell Mason
Text by Isaac Watts

Joy to the world! the Lord is come:
Let earth receive her King.
Let every heart prepare him room,
And heaven and nature sing.

Joy to the earth! the Savior reigns;
Let all their songs employ,
While fields and floods, rocks, hills, and plains
Repeat the sounding joy.

He rules the world with truth and grace,
And makes the nations prove
The glories of his righteousness
And wonders of his love.

Balulalow

Music by Francis Pott
Text by James, John, and Robert Wedderburn

O my deare hert, young Jesu sweit,
Prepare thy creddil in my spreit,
And I sall rock thee to my hert,
And never mair from thee depart.
But I sall praise thee evermoir
With sanges sweit unto thy gloir.
The knees of my hert sall I bow,
And sing that richt Balulalow.

Wake, Awake, for Night is Flying

Music and Text by Philipp Nicolai
Arrangement by F. Melius Christiansen
Translation by William Cook

Wake, awake, for night is flying:
The watchmen on the heights are crying,
Awake, Jerusalem, arise!
Midnight’s solemn hour is tolling,
His chariot wheels are nearer rolling;
He comes; prepare, ye virgins wise.
Rise up; with willing feet,
Go forth, the Bridegroom meet,
Hallelujah.
Bear through the night your well-trim’d light,
Speed forth to join the marriage rite.

Hear Thy praise, O Lord, ascending
From tongues of men and angels blending
With harps and lute and psaltery.
By Thy pearly gates in wonder
We stand, and swell the voice of thunder,
In bursts of choral melody.
No vision ever brought,
No ear hath ever caught,
Such bliss and joy:
We raise the song, we swell the throng,
To praise Thee ages all along.

O Come, All Ye Faithful

Adeste Fideles, arrangement by David Willcocks
Translation by F. Oakeley and W.T. Brooke

O come, all ye faithful,
Joyful and triumphant.
O come ye, O come ye to Bethlehem:
Come and behold him
Born the King of Angels:
O come, let us adore him,
Christ the Lord!

God of God,
Light of Light.
Lo! he abhors not the Virgin’s womb:
Very God,
Begotten, not created:
O come, let us adore him,
Christ the Lord!

Sing, choirs of angels,
Sing in exultation,
Sing, all ye citizens of heav’n above;
Glory to God
In the highest:
O come, let us adore him,
Christ the Lord!

Yea, Lord we greet thee,
Born this happy morning,
Jesu, to thee be glory giv’n;
Word of the Father,
Now in flesh appearing:
O come, let us adore him,
Christ the Lord!

Silent Night

Music by Franz Xaver Gruber
Arrangement by Patrick Vu
Text by Franz Joseph Mohr
Translation by John F. Young

Silent night! Holy night!
All is calm, all is bright.
Round yon Virgin, Mother and Child.
Holy Infant so tender and mild,
Sleep in heavenly peace.

Silent night! Holy night!
Shepherds quake at the sight;
Glories stream from heaven afar;
Heav’nly hosts sing “Alleluia!
Christ the Savior is born.”

Silent night! Holy night!
Son of God, love’s pure light;
Radiant beams from Thy holy face,
With the dawn of redeeming grace,
Jesus, Lord at thy birth.

A Winter Breviary — III. The Unexpected Early Hour (Lauds – Raag Ahir Bhairav)

Music by Reena Esmail
Text by Rebecca Gayle Howell

Praise be! praise be!
The dim, the dun, the dark withdraws
Our recluse morning's found.
The river’s alive
The clearing provides
Lie down, night sky, lie down.
I feel the cold wind leaving, gone,
I feel the frost’s relief.
My tracks in the snow can still be erased
In us, the sun believes.
Winter is, Winter ends,
So the true bird calls.
The rocks cry out
My bones cry out
All the trees applaud.
Ev’ry hard thing lauds.
Lie down, night sky, lie down.
I know the seeding season comes,
I know the ground will spring.
My fate is not night
I don't need to try
Behold! The dawn, within.
Horizon lights across my thoughts,
Horizon lines redraw.
Inside of my throat a rise of the gold
Inside my chest I thaw.
Winter is, Winter ends,
Nothing stays the same.
The moon strikes high,
The sun strikes high and
Now I hear your name:
Earth’s Untired Change.
Praise be! praise be!
The unexpected early hour
grows the good light long.
Our darkness ends,
O mercy sun,
Trust can warm us all.
Begin again, again, again,
O may our day begin!

About YNYC

The Young New Yorkers’ Chorus (YNYC) fosters a vibrant choral community through singing, performance, and collaboration with emerging composers. We work to ensure that New Yorkers have a haven that brings music to those who need it, and amplifies the voices of those who wish to make it.

Founded in 2001, The Young New Yorkers’ Chorus is a community of stellar musicians dedicated to making excellent choral music fueled by the strength of our unique community, inspired by our home city, and relevant to our demographic.

Our standard for excellence is high, allowing us to perform a wide variety of repertoire, with an emphasis on supporting other young choral professionals around the country. A performance of Jonathan Dove’s The Passing of the Year was described by the composer himself as sung with “…grace and clarity, but with a full warmth — the feeling I wanted, of the great mass of humanity, with something extra: the glorious bloom of youth.” YNYC was also recently named the winner of The American Prize in Choral Performance - Community Division, 2023.

Our programming is driven by themes relevant to others in their 20s and 30s, as well as the immense diversity of our home city. Our performances strive to go beyond the typical concert format, and we seek to bring our sound to new venues and locales.

Committed to the growth of new repertoire, YNYC debuts three original works annually through its Competition for Young Composers. YNYC also provides a close-knit fellowship for talented singers in their twenties and early thirties.

Our people are our greatest assets, and we invest in our community via social events, sub-groups of music (and non-music) professionals looking to network, and continuous engagement with our alumni. We also offer a wide array of volunteer leadership opportunities, allowing our members to gain important, transferable skills. Our operations reflect the ingenuity and entrepreneurialism of our demographic, with a robust media presence, high-quality recordings, and trend-setting engagement with our local, national, and international supporters.

Members

Sopranos
Natalie Bond
Cosette Carlomusto
Sofie Christensen
Megan Combs
Olivia Constantino
Rebecca Czochor
Alexis Freitag
Anna Hollander
Sara Huser
Stephanie Jones
Jeather Keyser
Shannon Kingett
Allison Kinney*
Jen Lee
Lily Liu
Carly Schindler
Kalyani Singh
Grace Tyson

Altos
Kelly Adachi
Charlotte Bennett*
Ryann Bieber
Marissa Caraballo
Maddie Dummermouth
Rachel Greenspan
Jackie Hauck
Kerry Johnson
Erin Kintzing
Sara Kiter
Amy Liu
Emily Mathios
Kevyn McConlogue
Monica Raugei
Casey Schidlovsky
Julia Segal
Sophia Socarras
Leah Taub
Jameelah Taylor
Elizabeth Webster

Tenors
Steven Alexander
Vin Caruso
Henry Fellerhoff
Richard Gary
Brian Graff
Kevin Harmon
Youngbin Kim
John Larson
Dylan Levine
Oscar O’Rahilly
Jimmy Paolini
Billy Pickett
Connor Sears*
Jack Wheatley
Ryan Young

Basses
Pete Ayers
Dylan Brunett
Justin Duckworth**
Max Fathauer
Brian Hnat
Sean Leigh
Rafael Lippert
Brian Logsdon
Colston Reinhoff
Toni Rinaldi
Connor Robertson
Zach Silver
Ben Swanson
Josh Turner
Evan Tyor
Jake Ullman*
Neal Ulrich

*Section leader
**Associate Conductor

YNYC Leadership & Volunteers

Board of Directors

President: Cory Reeves
Treasurer: Larry Dworkin
Secretary: Lucy Mayer
Members-at-Large: Richard Berg, Abbey Hendrix, Elisa Nikoloulias, Jessica Shaw, Jon Wiener

Ensemble Leadership

Leadership Manager: Ryann Bieber
Mixed Ensemble Manager: Casey Rice
Treble Ensemble Manager: Sarah Rosenblatt
Social Media: Stephanie Jones

Artistic Advisory Board

Brady Allred, Artistic Director & Conductor, Salt Lake Choral Artists
Dominick DiOrio, Assistant Professor of Music (Choral Conducting), Indiana University; Composer
Craig Hella Johnson, Artistic Director, Conspirare
Jerry McCoy, Regents Professor of Music Emeritus, University of North Texas College of Music
Brad Wells, Co-Artistic Director, Roomful of Teeth
Dale Trumbore, Composer

Acknowledgements

David Merrill, Recording Engineer
Jacob McCoy, Videographer & Live Stream Technician
Christopher Howatt, Church of St. Mary the Virgin
Rachel DeVore Fogarty, Associate Artistic Director
Emily Crowe Sobotko, Associate Conductor, Treble Ensemble
Sara Huser, concert art
Connor Sears, Mixed Ensemble concert program
Shannon Kingett, Mixed Ensemble concert management

2023-2024 Season

American Choral Directors Association (ACDA) Eastern Region Conference

February 2023 in Providence, RI (not open to the public)

The Mixed Ensemble travels up the East Coast to Providence, RI for the ACDA Eastern Region Conference, where they’ll perform works by Matthew Lyon Hazzard, Jasmine Barnes, Norman Dinerstein, and James Mulholland.

Larger Than Life - Treble Ensemble

Saturday, May 11, 2024, 7:30pm at Madison Avenue Presbyterian Church, 921 Madison Ave

Love’s Philosophy - Mixed Ensemble

Saturday, May 18, 2024, 7:30pm at Madison Avenue Presbyterian Church, 921 Madison Ave

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The Young New Yorkers’ Chorus could not exist without the dedication of our membership, audience, and friends. We rely on the continued generosity of our supporters, including:

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Edward Levine
Nate Lewellyn
Raymond Lewellyn
Kathleen Lewis
Diane Lindstrom
Rafael Lippert
Mateo Lopez-Castillo
Colleen Lucas
Patti Lucas
Kate Lyons
Lan Ma
Madeline Macisaac
Thoka Maer
Susan Majewski
Joanne Maples
Stephen Maples
Michael Marks
Nicole Marks
Ben Martin
Christina Mathis
Elena Mayer
Matt McGill
Kathy McLean
Liz McLean
Daniel McNickel
Sean Messick
Michelle Messick
Alexandra Miller
Gillian Miller
Marion Miller
Erin Grady Milne
Erin Milne
John Mollenkamp
Maeve Montalvo
Sarah Montana
Nicole Moran
Sarah Muffly
Helen B. Mullin
Caroline Nagy
Shikha Nayar
Alissa Nigro
Rose Nigro
Kathryn O’Brien
Eileen O’Grady
Katie Oakes
Fr. William Ogburn
Amaka Orji
Diane Oshima
Rachel Padowicz
Amanda Parker
Grace Patterson
Vince Peterson
Marla Peterson
Katya Petrova
Peter Pickett
Jasmyne Pierre
Sadie Pincus
Phillip Potestio
Alex Prewitt
Olivia Quaglia
Phyllis Rackin
Patrice Rajacic
Caren Ramon
Jennifer Ramon
Debra Ramsay
Lee Ramsay
Alexis Raskin
Edwin Reade
John Reade
Alyce Regan
Erica Regan
Heather Regan
Ana Rege
Mikhail Relushchin
Casey Rice
Amanda Richardson
PJ Robinson
Carolyn Rogers
Sophie Rogers
Michelle Rosenberg
Allison Castillo Rosenblatt
Darcey Rosenblatt
Nan Rosenblatt
Norman Rosenblatt
Toby Rosenblatt
Angela Ryder
Michael Ryder
Stephanie Sawhney
Susan Schneider
Michelle Schrank
Eric Schwartz
Connor Sears
Boreta Singleton
David Skeist
Jennifer Sklar
Kaye Cyrus Smith
Emily Crowe Sobotko
Ira Sobotko
Zoë Sonnenberg
Kathryn Squitieri
Laura Stein
Liana Steir
Katrina Svoboda
Ellen Swanson
Attila Szonyi
Chris Taber
Aya Takemoto
Molly Tarr
Teresa Thiry
Julie Thiry-Couvillion
Paul & Carol Thompson
Peter Thompson
Kevin Thompson
Laurie & Dan Thornton
Sarah Timberlake
Neil Timiraos
Peter Tittiger
Caroline Tompkins
Phil Toronto
Monika Torrey
Daniella Toscano
Lindsay Tyler
Gail Ulrich
Nick Upright
Irene Vagianos
Timothy Vallier
Skyler Van Valkenburgh
Jessica Vaughan
Laura Vlasman
Irene Volkoff
Laura Wagner
Dano Wall
Andrew Wang
Daniel Weinberg
Cara Weiss
Paula Wheatley
Jody Williams-Tutt
Kim Jeffreys Wilson
Alex Wilson
Donald Winey
Karen Winey
Lisa Winters
Eugene Wood
Chance Worthy
Laura Yecies
Jessica Zweig